Extras make Deadpool’s Blu-ray high-class
Deadpool has a ton of vulgar fun on its way through superhero cinema tropes. Ryan Reynolds clearly enjoys himself as the raucous, disfigured anti-hero. Maybe it’s too smart – Deadpool riffs on the studio system as much as it requires Fox’s backing. Dramatic moments sputter out too, but everything else soars. Take Deadpool as a breather from the cluster of other Marvel offerings.
Shot on a mixture of film and digital – seemingly without consistency – Fox’s Blu-ray jumps between formats. Visible grain hovers over the images with the encode showing little sign of struggle. Replication of this stock is clean without added artifacts.
Come digital time, the change can be imperceptible. While the grain is whisked away and images carry themselves without noise, Deapool loses none of its fidelity. At the center is Deadpool’s thickly textured suit. From the chest strap and leather to the digitally-enhanced mouth area (behind-the-scenes photos and promos show holes in the region), each nuance of the costume can be seen. Make-up for Reynolds’ scarred face holds under the scrutiny of Blu-ray too.
While rather boring in terms of color palette, an aggressive contrast boosts each shot. A veil of blue-ish hues does take some zip from the higher end, however slight. Tremendous black levels begin their work immediately from the opening credits. Traveling through a car paused mid-flip creates plenty of shadows. Their quality isn’t lost.
On the attack from the outset, Deadpool’s LFE output creates a booming soundstage. Each punch or kick creates tremendous thrust on impact – maybe too much considering. Gunfire feels weak comparatively. By the third act, a swell of explosions and the ship collapse perk the mix up. Visual and aural scale are set by the thundering subwoofer support.
Note Fox avoids the Dolby Atmos mix heard in theaters. On Blu-ray, DTS-HD 7.1 will have to suffice. It does… mostly. Surrounds lack presence, only catching in the third act. While a skate park has brief side-to-side motion in a halfpipe and an alleyway grants this disc the best rain effects, action sounds diminished. Gunfire tracking limits itself, with bullets situating in the fronts. Motion lacks the energy of other superhero flicks, although with fairness, the budget here was reduced.
Those needing a boost of positivity can skip to the climax. Falling debris creates an exceptional soundfield while the brawl between Colossus and Angel Dust sends the pairing between channels with each punch. And here, that contact thump from the LFE is sensible.
From Comics to Screen… to Screen peers into the Deadpool-verse, spending 80-minutes across five parts to tell the story. The character’s origins, first screen adaptation, and Reynolds’ eagerness for the project are covered, then segueing into a lengthy making-of. While lacking the production value and appearing rather typical in EPK tone, the feature has depth and detail.
For those who still need more, dual commentaries come into play, one with writers Rhett Reese and Paul Wernick, joined by Ryan Reynolds. The second grabs director Tim Miller and comic writer Rob Liefeld. Miller continues over ten deleted scenes, many of which should have been included in an extended cut. A ludicrous amount of promo videos all feature Reynolds in character and a photo gallery has some fine images.
Click on the images below for full resolution screen captures taken directly from the Blu-ray. Images have not been altered in any way during the process.